Printed Texture on object surface

On the rest of the week, I will learn about texture transferring to an objects surface. The experiment will take place at Dr. Hushinidi's Workshop. The materials that are prepared are :
PVC glue (adhesive)
A ragged cloth
A large brush
Some Clear water
Rolling pin

 Today, Dr. Hushinidi will show me an example on how the experiment can be done. In Figure 1, shows him  selecting some of the printed textures he captured and figure 2 shows him adding some effects using pen to it as experiment to see if the ink will stick with the texture.

 Figure 1

 Figure 2

Next few Figures shows the process of applying the PVC to the printed paper. First off, he used an acrylic plate as to protect the table from the adhesive and preventing the applied paper sticking on the table. Figure 3 shows him wiping the acrylic plate clean from any left over adhesive to prevent any sticking on printed paper.

 Figure 3

Figure 4 shows proper cleaning on the brush, the brush must be cleaned after use or else the adhesive will damage the brush. After cleaning, the brush then wiped dry with the ragged cloth as shown in figure 5

 Figure 4

 Figure 5

Here, Dr. Hushinidi prepares to apply the adhesive to the printed texture. The process must be done quickly so that the adhesive doesn't dry out before placing it on an object surface. Large quantities of PVC may be applied to the paper and quick strokes from top to bottom to cover the whole paper.

 Figure 6

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 Figure 9

Once applied, he quickly placed the printed texture on to the surface of the canvas. He then used a rolling pin to smoothed out paper and remove any excessive PVC. The pin must be pressed hard so that the paper will stick to the surface at 100%. Using hand to smooth out will leave out air inside the paper and causing unwanted damage. Then, the paper will be left alone for about an hour and a half or 2 some may even take longer to completely dry.

Figure 10

Figure 11

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 Figure 13

 While waiting, Dr. Hushinidi showed me more styles and experiments that can be applied to the surface to make things more interesting to the result. In figure 14 to 16, showing him apply charcoal to the canvas and placing the printed texture on top of it.

 Figure 14

 Figure 15

 Figure 16

Figure 17 to 21, Shows him tearing the texture paper in 2 to see the effects of the texture. Figure 22 to 24 shows him folding the texture paper and applying the PVC.

 Figure 17

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 Figure 20

 Figure 21

 

 Figure 22

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 Figure 25

We waited fore some time for the paper to dry, some we can feel the wetness of the paper to determine the readiness of the paper

 Figure 26

 Figure 27

When we think they are ready, Dr. Hushinidi then apply water to a small piece of rag, not too much and not to little the  printed texture. He applied the water gently on the paper as shown in figure 28. If some parts of the paper can be quickly peeled off he will do so but gently as to not damage the texture shown in figure 29. The next few figures shows the process of scrubbing the paper off gently to reveal the printed texture on the canvas surface. The pressure applied, can sometimes require more power but it will risk tearing the texture.

 Figure 28

 Figure 29

 Figure 30

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 Figure 32

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 Figure 35

The resulting effects of the printed texture on the canvas surface

 Pen drawn effect on texture

 Charcoal effect  with texture

 The tearing and folding effect of the texture

 Of course, I must do the experiment for myself as well. So, I given a piece of canvas and try apply the experiment myself using the techniques I have observed. In Figure 36, I try to add my own experiment by scratching on the texture surface to observe the effects. For the time being, I applied 4 experiment textures shown in figure 37 and waited for a day for the result.

Figure 36

 Figure 37

I continued to add more textures the next day, in figure 38 I added my own tearing texture and some other textures to the canvas. The result of the 4 textures from the previous day did not go so well, most likely that colder conditions made the PVC adhesive dry way too quickly. The other 4 textures that I did in the workshop turned out better, but there are bits of tearing here and there. Most likely because of my skill and new to this experience. I also tried to apply the textures on other surfaces to observe the results, Some turned out great some not so much. Nevertheless, this experiment was quite interesting for this semester.

 Figure 38

 Figure 39

My Experimental Results

Juxtaposition

After some research and a few examples, I attempted to create a better juxtaposition image with better meaning behind it.

 In this attempt, I combined one of my glass textures with the bodybuilder. Using clipping mask and opacity to merge it with the main image giving it a shattered look on the muscle. The meaning to this image is the use of steroids may make you look strong but at the same time it is making the muscles more fragile.

 JPG Result

 

 This time, I attempted to defuse the meaning of the gun using one of my natural textures. By simply creating a clipping mask on the image

 

Gun original

 JPG Result

 For my Final attempt, Im going to juxtapose my face with an image of my home town Kota Kinabalu. First off, I take an image of my self and with the layer selected I used the polygon tool. I zoomed in and slowly clicked where my face was while stripped parts within it away because mistakes that were made are unable to be undone even with the undo button. This process can be tedious at times.

After creating the outline of the face, I then move the mountain layout on top and clicked on clipping mask. The image is complete but it can still be improved by trimming the edges a little.I also attempted on a front view perspective of the face and added some details.

 

 side

 

 Front

  Front with detail

JPG images